5″ x 7″ card, blank inside.
5″x 7″ Card: View from the shore of Red Cliff Reservation, Bayfield County, Wisc., 2014
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The landscape photo that appears on this 5″ x 7″ card (blank inside) is from Catherine Lange’s book, “Why This Place?” Photographs and photo essays in the book explore the natural beauty and strong community in the Chequamegon Bay area in northwestern Wisconsin. The place shown in this photo was a favorite place in nature for one of the 16 area residents Lange photographed and interviewed for her book.
Purchase at least six cards (choose from among 26 available cards) and receive a 15% discount on the cards at checkout. Use coupon code: 6CARDS
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- Store Name: Catherine Lange
- Vendor: Catherine Lange
- Address: Ashland, WI 54806
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The image in this canvas print also appears in Catherine Lange's book, "Why This Place."
After I moved to Washburn, Wisc., the idea for a photography project called "Why This Place" crystallized as I experienced the natural beauty in the Chequamegon Bay area and got to know people in the community. I asked 16 people to take me to their favorite places in nature, where I created photographic environmental portraits of them as well as landscape photos of those places.
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5″ x 7″ Card: Beach Off the Coal Dock, Washburn, Wisc.
The landscape photo that appears on this 5" x 7" card (blank inside) is from Catherine Lange's book, "Why This Place?" Photographs and photo essays in the book explore the natural beauty and strong community in the Chequamegon Bay area in northwestern Wisconsin. The place shown in this photo was a favorite place in nature for one of the 16 area residents Lange photographed and interviewed for her book.
Purchase at least six cards (choose from among 26 available cards) and receive a 15% discount on the cards at checkout. Use coupon code: 6CARDS
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When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
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Purchase at least six cards (choose from among 26 available cards) and receive a 15% discount on the cards at checkout. Use coupon code: 6CARDS
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Canvas Print: View from the shore of Red Cliff Reservation, Bayfield County, Wisc., 2014
The image in this canvas print also appears in Catherine Lange's book, "Why This Place."
After I moved to Washburn, Wisc., the idea for a photography project called "Why This Place" crystallized as I experienced the natural beauty in the Chequamegon Bay area and got to know people in the community. I asked 16 people to take me to their favorite places in nature, where I created photographic environmental portraits of them as well as landscape photos of those places.
The project, which resulted in an exhibit at the Washburn Cultural Center in 2014, was partially funded by a grant from the Chequamegon Bay Arts Council and the Wisconsin Arts Board with funds from the State of Wisconsin. In 2016, I designed and self-published a book, also called "Why This Place," containing the 71 photographs and 15 photo essays from the exhibit.
The book is available here on Authentic Superior.
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When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
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When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
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When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
Canvas Print: Beach Still Life #5
Beach Still Life #5, Meyers Beach, September 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.
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Beach Still Life #2, Meyers Beach, September 2013
When I was selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, I created a series of photographs called "Still Lives in Moving Places." I photographed everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and my yard in Washburn deeply covered in snow. These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.