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This a unique lighthouse with a triangular shape. It points toward the ocean, allowing it to withstand 125 mile per hour winds. It was a dark and stormy day when I passed through, the mood highlights part of what makes lighthouses so useful.
3/4 inch gatorboard with black edges | 10″ x 20″ x 0.75″
The photo that appears on this 5” x 7” card (blank inside) is from Catherine Lange’s series called “Still Lifes in Moving Places.” When selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, Lange create the series, photographing everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and her yard in Washburn deeply covered in snow. Lange says, “These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.”
The photo that appears on this 5” x 7” card (blank inside) is from Catherine Lange’s series called “Still Lifes in Moving Places.” When selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, Lange create the series, photographing everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and her yard in Washburn deeply covered in snow. Lange says, “These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.”
The photo that appears on this 5” x 7” card (blank inside) is from Catherine Lange’s series called “Still Lifes in Moving Places.” When selected as one of eight artists in the 2014 Wisconsin Community Supported Arts program, Lange create the series, photographing everyday objects—a glass vase, a pewter creamer, a white enamel pitcher—in places that included Meyers Beach, Copper Falls State Park, and her yard in Washburn deeply covered in snow. Lange says, “These still lifes occurred in places where water, wind, and light had been moving; and, in the making of these images, gratitude for natural beauty and love for the people associated with those objects moved through me.”
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